All Posts Tagged: the writing
12 Days of Holiday Specials Day 3: Three Days of Personalized Travel Writing Retreat
Today’s holiday trivia: As part of the Feast of the Holy Innocents, December 28 is a day for pranks (similar to April Fools Day in North America) in Spain and Latin American countries. Pranksters or “inocentes” trick their friends and family; even newspapers, radio and TV stations have been known to participate by providing false stories.
The town of Ibi in Alicante, Spain, celebrates the festival of Els Enfarinats each year, as well, with participants in the day-long festival dressing in mock military uniforms and staging a mock coup while a band of street musicians tour the city. The “military” exercise their authority under a blaze of fireworks, flour bombs and eggs, surrendering at the end of the day with a traditional dance.
Join Us This Week for Free Travel Writing Lessons on the Art of the Followup and Crafting the Perfect Travel Article Pitch
In the two years since we began running regular one-hour travel writing classes, we’ve covered more than 80 topics, including:
- how to land free trips
- how to get paid really, really well for your writing
- how to get on magazine editors’ good sides
- how to navigate every step of the process to land travel content marketing work, including phone calls and proposals
- how to keep your hourly rate down so your bank account goes up
- how to get work done on the road
- how to write, step-by-step, 15 different types of travel articles
- how to land guidebook and other traditional publishing deals
You can grab access to all of our past webinars (and a ton of other resources you can’t find anywhere else) with a subscription to our Dream Buffet or grab them one-by-one when you need them in our On-Demand Webinar Library for a set with the video, audio, transcript, and slides.
But we also air a free replay of one of our travel writing classes each and every weekday.
Join Us This Week for Free Travel Writing Lessons on Increasing Your Pitch Success Rate and Generating Sure-Fire Saleable Ideas
In the two years since we began running regular one-hour travel writing classes, we’ve covered more than 80 topics, including:
- how to land free trips
- how to get paid really, really well for your writing
- how to get on magazine editors’ good sides
- how to navigate every step of the process to land travel content marketing work, including phone calls and proposals
- how to keep your hourly rate down so your bank account goes up
- how to get work done on the road
- how to write, step-by-step, 15 different types of travel articles
- how to land guidebook and other traditional publishing deals
You can grab access to all of our past webinars (and a ton of other resources you can’t find anywhere else) with a subscription to our Dream Buffet or grab them one-by-one when you need them in our On-Demand Webinar Library for a set with the video, audio, transcript, and slides.
But we also air a free replay of one of our travel writing classes each and every weekday.
Join Us This Week for Free Travel Writing Lessons on Story Structure, the Art of the Essay and Mastering AP Style
In the two years since we began running regular one-hour travel writing classes, we’ve covered more than 80 topics, including:
- how to land free trips
- how to get paid really, really well for your writing
- how to get on magazine editors’ good sides
- how to navigate every step of the process to land travel content marketing work, including phone calls and proposals
- how to keep your hourly rate down so your bank account goes up
- how to get work done on the road
- how to write, step-by-step, 15 different types of travel articles
- how to land guidebook and other traditional publishing deals
You can grab access to all of our past webinars (and a ton of other resources you can’t find anywhere else) with a subscription to our Dream Buffet or grab them one-by-one when you need them in our On-Demand Webinar Library for a set with the video, audio, transcript, and slides.
But we also air a free replay of one of our travel writing classes each and every weekday.
Join Us at Early-Bird Prices for Our Winter Retreats to Up Your Skills, Surround Yourself with Other Hard-Working Travel Writers, and Spend the Winter Somewhere Cozy
Our retreats at our private location in New York’s Catskill mountains are not conferences. They aren’t workshops. And they aren’t classes. They’re retreats.
We’ve decked out the space with everything you need to get your focused-writer on, including:
- workplaces for all moods, from desks with huge windows looking out on nature to comfy, sink-in chairs for snuggling in to couches piled with pillows and blankets (hey, it’s winter!) and an actual pub
- thousands of magazines to get your pitch-idea juices flowing and inspire you with top-tier writing
- hundreds of books on the craft and commerce of writing along with the tomes from the top travel writers in the world to help un-stick your writers block
- all of the coffee, espresso, and tea
And you experience all of those things whenever you want on your own with our Creative Residency Program.
So when we do a retreat, we kick things up the personalization in five big ways:
- All of our retreat content is focused on exactly where you are. I literally present the programs differently each and every time, taking into account the skill and travel knowledge backgrounds of each individual present that week or weekend.
- Our retreats are kept uber-small so it’s not possible for you to get lost along the way. This group size allows me to constantly check in that the concepts we’re discussing are hitting home with each and every person there, and revisit, re-explain, or further break things down so that each person moves through the content with the group. No writer left behind.
- You get one-on-one time to dig really deep down into what YOU are stuck on. In each of our weekend and week-long retreats, you get one-on-one time (typically two one-on-one) to make massive progress quickly, in the middle of our educational content, so that we can slough off wherever you’re stuck and get you charging through to completing your goal for the week or weekend.
- We focus on the experiential. As we move through the information covered in each event–whether focused on building your business, working with magazines, learning how to be a travel writing in the field, or building your own travel content marketing gigs–we heavily alternate between hearing, doing, and discussing. In medical school, they have an maxim, “See one; do one; teach one,” that allows them to level up their students quickly through difficult tasks, and we give it the travel writing treatment. If I were to just teach you what to do and let you go home and (hopefully find the time and then) try it, you would never making nearly as much progress, if any at all, as you do by hunkering down to give something a try right away and then discussing what did and didn’t work and why so you’re prepared and patterned with how to do something the right way when you do get home.
- You learn from a multitude of experiences. While we alternate learning by knowledge acquisition (listening) and learning by doing (exercises), the sharing time our small group size allows is also a crucial part of expanding your horizons and sparking new ideas. As you listen to how your peers have dug differently into the exercises based on their life, work, and travel backgrounds, your pre-conceptions about how things should or need to be done will naturally expand, showing you more ideas for yourself that fit you.
We’ve currently got early-bird pricing (more than 25% off!) for four of our events coming up this winter.
Need a Getaway to Get Things Done? Summer and Fall Catskills Writing Residency Dates Available!
If you have never tried it, the short-term (s*ht gets done) and long-term (you can 30,000-foot perspective on how you spend your time and what you’re really doing with your travel writing) benefits of taking an individual writer’s retreat are addicting.
At a conference recently, I heard author, restaurateur and actor Madhur Jaffrey explaining that she doesn’t know how her recent book would have gotten done if she hadn’t spent a week more or less in bed surrounded by papers working and sleeping in equal fits, problems immersed in the text of her project.
But even if you’re not working on something on the scale of a book currently, a residency can also guide you to what it is you should be investing your time in more deeply, as this peek at the famed MacDowell residency explores:
Our On-Demand Coaching Concierge Now Has Answers to More than 300 of Your Top Travel Writing Questions!
Before there was Dream of Travel Writing or even The Six-Figure Travel Writing Road Map, there were questions.
I’ll never forget the time I was sitting in a room at the World Travel Market in London after one of the panels had finished up catching up on email, and a British gentleman came up and started chatting with my about what I did.
It was quite a few years ago, long before I ever even considered writing about freelancing, let alone coaching freelance business owners.
We were talking about what I did, and the conversation took a turn that it frequently did back then: a bit of puzzlement when I said that, yes, I was a blogger, but, no, I could not tell him what my blog was. I was a freelance blogger.
So I told him my mantra back then: “If I’m not getting paid, why would I write something?”
Want to Take 50% of Registration for One of the Top Professional Associations?
A very cool opportunity came my way this past week that I am excited to share with all of you.
If you regularly join us for our new weekly webinar, you may have heard me rave about a conference that I went to earlier this spring/late winter that was bursting with editors that were friendly, easy to connect and chat with, and from very high-profile outlets.
I also mentioned that the conference itself was very expensive for an association conference and so it probably wasn’t the best fit for many of you.
But… (there must be a but, right?)
They have a really attractive promotion going on right now for membership to the association (the International Association of Culinary Professionals), which includes recordings of many of the sessions with editors I found particularly valuable from the annual conference.
When Can You Write the Same Things for Magazines Your Writing for Your Blog?
I say this a lot. And a lot of you are already very aware of without me having to mention it, but…
The kind of writing that flies on blogs is *very* different than what appears in print magazines.
The perennial question, however, is how?
In many ways, the way people (editors, namely) talk about this different calls to mind the famous U.S. Supreme Court ruling that said:
“I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that.”
Besides “you know it when you see it” , what can I point to that separates the type of writing that appears on the web from what appears in print?
Making Your Story About the Journey Rather than the Destination is a Easy Trick for Successful Pitching
I’ve been in a travel writing conference for the last couple days observing something very curious throughout the keynotes.
Both keynotes—one by Don George, who was formerly travel editor of the San Francisco Chronicle and Lonely Planet’s annual travel writing short story anthologies, and another by Spud Hilton, the current travel editor of the San Francisco Chronicle, who has won an obscene number of top travel writing awards in that position—focused on storytelling.
Each keynote was excellent, composed of a heavy dose of first-person experience layered with specific, well-articulated and vitally important tips of how to completely overhaul your stories for the better.
But at the end of both keynotes, both speakers were asked nearly identical questions along the lines of:
That all sounds great, but who is really publishing narrative stories like that right now? No one really wants to publish stories about the writer’s experiences with other cultures.
After this question, in both cases, a very curious thing happened.